24 May-8 June Enschede
Concordia Aki Paviljoen.
08/09 June 2024 Okkenbroek
Kunst van hier tot ginder.
17 May-17 June 2024 Enschede
Wild-Clay project, Rijksmuseum Twenthe
[Non]-Humans
"I grasp the ungraspability of a thing—which is another way of saying I see the future, not the predictable one, but the unpredictable one. I see the possibility of having a future at all: I see Futurality." —Timothy Morton, All art is ecological.
In this body of work, I’ve been rediscovering painting—pushing myself technically by creating everything from the canvas to the paint by hand, using as many eco-friendly and upcycled materials as possible.
Simple observations of my domestic environment—a space that offers the safety and nourishment I need to create—are evolving. Could this space become something beyond the non-human? Perhaps a future begins here, within the walls of the everyday.
Self-Service
A dining table where form meets function and material tells a story. Ceramic legs, glazed with cow bone ash, support a wooden surface, also painted with the same material. The interplay of textures and the use of cow bone ash evoke themes of sustenance, cycles of life, and the intimate connection between creation and consumption. This piece invites reflection on the origins of what sustains us and the rituals of sharing and service.
Scarcity and Abundance: A Clay Journey
In this group exhibition, artists delve into the elemental, working with clay they have unearthed and shaped with their own hands. Each piece speaks to the tension between scarcity and abundance, exploring how these forces shape our world and perceptions. From fragile, raw forms to robust creations, the works embody the duality of the theme.
Through self-dug clay, the artists reconnect with the earth, bringing a tactile immediacy to the conversation about resources, resilience, and renewal.
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